Rock Crystal

 

         The name crystal is derived from the Greek word "KRYSTALLOS" meaning ice or frozen water. Ancient belief, from the works of Pliny, is that rock crystal is formed by the action of extreme cold upon water over long periods of time in mountain caverns. The ladies in Rome carried rock crystal spheres in their hands to cool themselves in summer.

          To the Japanese people, rock crystal symbolized purity and the infinite patience. To them it was the perfect jewel. To the Western Church the desire to keep oneself free from stain and to have a pure faith.

          Rock crystal (quartz) is silicon dioxide (SiO2) grown into a single crystal. The atoms of the crystal are arranged in a helical pattern along with a vertical crystal axis. This helical pattern may be right-handed or left-handed. The right-handed crystal shows a pyramidal face on the top right hand corner of the prism face below the rhombohedral terminations. The left-handed crystal shows this face on the top left corner. The hardness of this material on a Moh's scale of 1 to 10 is 7. Specific gravity is 2.651 and the refractive index is 1.544 to 1.553. Crystals are found in nature as hexagonal prisms having rhombohedral terminations. Crystal is a trigonal quartz system, developing an electric current when heated. Quartz is also piezo electric, meaning it will generate an electric current when subjected to mechanical pressure. This property is used in pressure gauges, cigarette lighters and gas lighters found in many homes. When electric current is passed across a quartz crystal it becomes strained or deformed. This property is used in the movement of quartz clocks and watches.

         The fire used in Eleusian Mysteries was produced by laying rock crystal on wood chips so that the sun would shine through the crystal. The wood would first smoke and then burst into flame. This, claimed the Keepers of the Temple, was the best type of fire and most appreciated by the Gods.

         The Cherokee considered rock crystal to be a most powerful talisman that insured a successful hunt. Small crystal stones are utilized by the Australian aborigines in the preparation of talismans and amulets which they feel have the power to protect them from the demons which dwell in the bush and from the evil eye.

          Sir Walter Scott relates that the Highlanders call rock crystal the Stone of Power.

          In 1669 Nicolaus Steno, a Dane, wrote De Solido Intra Solidum Naturaliter. He rejected the rock crystal ice theory. He realized that crystals grew by the addition of new layers, the particles of which came out of a solution.

           The largest recorded single crystal is about 20 feet long, several feet thick and weighing about 40 tons.

Source : IN-SONORA

Marcel Vogel - Video presentation

         Marcel Joseph Vogel (1917 - 1991) was a research scientist for IBM’s San Jose facility for 27 years. He received numerous patents for his inventions during this time. Among these was the magnetic coating for the 24” hard disc drive systems still in use. His areas of expertise were phosphor technology, liquid crystal systems, luminescence and magnetics.

         In the 1970’s Marcel did pioneering work in man-plant communication experiments. This led him to the study of quartz crystals and the creation of a faceted crystal that is now known as the Vogel-cut® crystal. The Vogel-cut®  crystal is an instrument that serves to store, amplify, convert, and cohere subtle energies.

         Marcel’s research into the therapeutic application of quartz crystals led him to the investigation of the relationship between crystals and water. He discovered that he could structure water by spinning it around a tuned crystal, altering many of the characteristics of the water and converting it into an information storage system. 

         For more information, read the pages of this blog created in memory of Marcel Joseph Vogel.

The De La Warr Mark IV - Thought Photography Camera

       The Mark IV Thought Photography camera was manufactured by the De La Warr laboratories in England in the 1950's. It was designed to capture on film the subtle vibration of a witness (a sample of the vibration of a person or object) whether sputum or a drop of blood, and transfer these vibrations onto a photographic image. There are three significant factors involved in operating this equipment:

1). The instrument itself

2). The photographic plate (glass or film) and

3). The operator

        One of the major problems in the operation of this camera is the necessity of charging the plate prior to using the camera.

        A vital force or charge must be translated to the film in order for a picture to be created in this camera. It is my belief that this is very analogous to electro-photography in which a plate is charged by the corona discharge in an electro-photographic dopier. The charge is acted upon by light, producing an image on the drum, transferred by the toner application to the paper, and fixed o the paper by heat. In the case or the De La Warr camera, I felt that a subtle energy charge was necessary and could e created by the use of a four sided single terminated meditation crystal.

        An invitation presented itself for me to visit David Tansley in England. He arranged a meeting with the owners of the De La Warr camera, Elizabeth Baerlein and Lavender Dower, at their home in Oxford, England. We agreed on a research protocol.

1). - I would not touch the plate; Elizabeth Baerlein would load the plate into the holder,

2). - I would charge every other plate with the crystal, in the light

3). - Lavender Dower would test, with a pendulum, the energy that was being accumulated in the plate. The three or us would decide when we had a fully charged plate.

        A crystal was held four to six inches over the plate in the wooden holder. I drew my breath in and began o pulse my breath onto the plate. A change was immediately noted in the reading on the pendulum. When we dame to a certain numeric value, we stopped and asked what length of exposure was required. The answer was 14 seconds, which was noted. The holder was marked and we decided on observing the heart chakra of my body. This rate was set into the camera, after I put a witness of a drop of my sputum on the witness plate. The other set of values were designating the vibrational rate of my own body and the earth's magnetic fields which surrounded Oxford.

        When it was time to try the first exposure I stepped back about forty feet from the camera and said "Let's take a frontal view of my body" and faced the camera. One of the plates was chosen randomly and put into the camera. The switch was turned on for 14 seconds. I felt nothing in my body and noted that to my associates.

        The next plate was loaded and when the switch was turned on I immediately felt a pressure in the solar plexus and thymus region of my body. I began to sway and noted this  effect verbally. Both plates were developed. The first had not been charged and was totally free from any image or fogging. The second plate was excessively overexposed and would not clear in the hypo bath after five minutes. I reached in and touched the plate and when I lifted it out from the hypo into the red safe light, it immediately cleared. There was an image of a spiral of energy on the glass plate, with points or light scattered throughout the plate.

        The experiment was repeated three times in a row with exactly the same results. An untreated plate in the De La Warr camera gave no image and the treated plate produced images. I then said" Let us see what a side view would look like". We followed the same procedure with side views and now we had a three fold flame emerging from the plea. This was repeated a number of times. These events were observed y David Tansley, Lavender Dower, and Elizabeth Baerlein.

        The photographic glass plates were Ilford ordinary #N.30 glass, with an Ilford meter setting of 16 degrees and the speed group A, black and white. The photographic developer was B.72 and the fixer was Hypo (sodium hyposulfate). I left the crystal with the two ladies and they worked for months after I left with no apparent success in producing any images.

         Images can be formed on photographic film purely by the intention of the operator as in the case of Ted Serios, but there is no control over the image production or the capacity to get repeatable results in any one event.

        What does the De La Warr camera contain?

        When Lavender Dower loaned me the camera, I took it apart, carefully measured and photographed the equipment. The lower and larger box contains three chambers, with the dimensions of the "King's Chamber", in which an electrical vibrator produces a tone. There are 12 dials in three rows. They are attached to various lengths of wire that lead to a magnet which is set in a vertical position. Two of these units are identical and they are tuned by a rubbing plate. the third unit is a spiral of wire which can be tuned to various positions on the ascending or descending spiral form. this, too, leads to a magnet set with the north pole in the up position and is tuned accordingly. There is another box on top which is separated by posts. This holds the film plate holder and contains within it three parabolic reflectors aligned to each or he magnetic rods. he focal point of the parabolic reflectors is the glass pate. The plate holder is completely light tight. To operate the equipment, it is rotated until it is facing due west.

         There were implications from George De La Warr's work wok that we can move, with a camera like this, in and out of time. We can precipitate, on film, the three physical states of matter.

Seven turn Time Spiral

The Crystal Skull

        It is my belief that natural quartz skulls are information transfer devices. It has been my pleasure to work with the Mitchell-Hedges skull which is carved from a single quartz crystal, weighing 475 troy ounces and measuring 8.25 inches across the width of the skull.

        Working with Mrs. Hedges, the skull was held in my hands and brought in opposition to the solar plexus. Deep breathing exercises were then initiated and Mrs. Hedges, in looking at the skull, remarked that it had become luminous with light emanating from the eye sockets. When this took place, we both took a deep breath and entered the skull together with intention on the outgoing breath. We immediately felt a coolness, and a vibrating, oscillating motion took place in our bodies. By breath control this oscillation stopped, but when we let our breath out and relaxed, this oscillation came back. This was followed by a sound or tone being felt in the skull. A change in pitch was noted until a constant tone was felt. We then drew our breath in and focused our minds on knowing the intention of the functioning the these skulls.

        We let our breath out, and suddenly we saw a temple with a hole in the top. The skull sat on a pedestal directly under this hole. There was a priest with a shaved head, robed in white, wearing a medallion of gold inscribed  with the image of the sun and its rays. The priest waited for the light of the sun to strike the skull, illuminating it in much the same way as in our experience. An older person with a shaved head came into the temple. The priest put his left hand on the head of the elderly man and his right hand on the crystal skull. He drew his breath in and pulsed the breath. The information in the mind of the older man was now transferred to the skull. He left and in his place came a young girl also dressed in white. The priest reversed his hands, placed his left hand on the skull and his right hand on the head of the young girl. He drew his breath in and pulsed his breath. That knowledge that was contained in the skull was now in the mind of the young person. This was repeated many, many times and suddenly the image faded.

        From this experience it was felt that these devices were information transfer systems. The transfer of patterns of thought stored in the brain could be utilized by a transfer mechanism of this type from one generation to another. This precluded the necessity of writing everything down and having to re-translate that written document back into the imagery that was required of the written word.

 

Records are Written in Stone

 

        Down through the ages monuments have been erected and inscribed by humanity with various patterns of design and decoration. In this article we will discuss a deeper meaning to these stone structures.

        Let us now think of them as a means of communication of information from past minds. These may also be devices for amplifying weak energy fields that are contained in the soil caused by movement of subterranean bodies of water and the accumulation of various mineral elements. These subterranean forces have been given the name LEY LINES. The location of these lines of force may be detected with the use of a pendulum held in one's hand. The may also be determined by dowsing rods. Moving subterranean fields, when crossing in a positive direction, give amplified signals at the crossover point; when crossing is opposing or in negative they give weakened or negative fields. Ley lines also occur in the right handed and left hand spiral formations. Two good books on this subject are "Dowsing and Archaeology" by Tom Graves, Touchstone Books, Wellingborough Northamptonshire, U.K. and "Site Survey Dowsing" by Cleve Thompson, same publisher.

        The erecting of stones and stone monuments over these areas amplifies these fields. They create a vortex of energy which are often called sacred spots. One of these is Stonehenge. The patterns of energy that have been dowsed correspond to the placement of stones that are at this site. I feel the following actions take place:  the moon acts on the subterranean bodies of water creating an expansion and expansion of the fluidic body.  The water then flows with increasing velocity and spins as it moves in the subterranean beds creating a vortex of a pulsating magnetic type field. These fields expanded throughout the earth and act as paramagnetic material.

        Feldspar, granite and quartz are paramagnetic. They are responsive to these types of fields; they store the vibrations and re-radiate them into a set of vibratory patterns. To experience these fields, use a dowsing rod to locate where he field is at its maximum on a standing stone that you wish to examine. Stand in this field with arms outstretched and approach the rock until you feel the energy field at a maximum. With your eyes closed reach over and touch the stone with both hands. Breathe in, and breathe out. Slowly breathe in and separate your hands from the stone, then breathe out and hold your breath. As you do this you will feel a pulsation in your body like being exposed to a dynamo. As the energy enters your body, keep focused on it and begin to draw your breath in and out slowly. When you attune in this way, the physical body will oscillate and with the eyes closed there will be a series of flashing lights taking place at the third eye. 

        Keep focused on that light, keep breathing, and if data is stored in that stone structure, there will appear to the observer as a series of rapidly forming images. Record the reactions so that information can be pulled from various locales where this type of data is stored. This was done at the Elephant Caves in Mumbai, India; at the sacred mountain in Trivandrum and in various hillside shrines in Mysore, India. If you have only a small sample of rock, the same can be done by holding the rock in one hand, drawing in the breath and becoming one with the rock on the outgoing breath.

        When an ancient monument has been designed and constructed out of stone, the pattern of the whole can be seen by a trained individual by doing the following:

1) - Charge a Vogel-cut® healing crystal with breath and intention;

2) - Direct the energy of the crystal to the stone object you wish to investigate;

3) - Focus on it, draw your breath in, close your eyes and pulse the breath through the nostrils with the intention of opening the records that are written in the stone;

4) - Take the stone in your hand and draw in the breath, close your eyes and pulse the breath into the stone object;

5) - Breathe in two or three times slowly back and forth. As you do this, you open the third eye with the intention of seeing the records that are written in the stone;

6) - Hold your breath, look at and describe the images that come through to the mind's eye. Have a friend transcribe this and go over the data when you have completed this information transfer.

        This opens a whole new form of creative archaeology, not only digging up the stones as archaeological site, but seeing the completed structure from the witness sample of the individual stones.